{"id":641,"date":"2026-06-28T12:45:03","date_gmt":"2026-06-28T12:45:03","guid":{"rendered":"https:\/\/longhaulmovingpros.com\/?p=641"},"modified":"2026-06-28T12:45:03","modified_gmt":"2026-06-28T12:45:03","slug":"when-you-gaze-into-the-ai-slop-the-ai-slop-also-gazes-into-you","status":"publish","type":"post","link":"https:\/\/longhaulmovingpros.com\/?p=641","title":{"rendered":"When You Gaze Into the AI Slop, the AI Slop Also Gazes Into You"},"content":{"rendered":"
\n

What happens when you look at an apple?<\/span><\/p>\n

That question can be answered in two very different ways. A staunch materialist would likely give you a technically detailed explanation about photons bouncing off the apple\u2019s surface and into the photoreceptors in your eyes, creating a visual representation of a red piece of fruit that actually exists \u201cout there\u201d in the world. Ask a philosopher or an artist, on the other hand, and they\u2019re liable to veer into much more metaphysical territory: The apple isn\u2019t merely a collection of atoms modeled by your brain\u2019s visual system\u2014it\u2019s also a kind of portal, a pathway in to a mental realm of semiconscious associations and memories, the layout and feel of which is unique to each individual observer. An apple could be a symbol of health, for example, while for a more religiously inclined person, it might evoke the temptation of Eve in the Garden and the Fall of Man. Others might see a symbol of personal computing in the modern age, or the epiphany that supposedly led Isaac Newton to formulate his law of gravity.\u00a0<\/span><\/p>\n

Read more Spend Five Minutes With This Hellish Operating System Simulator and You\u2019ll Never Swear at Your Computer Again<\/a><\/p>\n

According to this latter school of thought, perception is never strictly objective; rather, our subjectivity colors our individual experience of the world to such a degree that the two are effectively inextricable. The Belgian artist Ren\u00e9 Magritte captured this ambiguity between perceiver and perceived in his 1964 painting <\/span>Ceci n\u2019est pas un pomme<\/span><\/i> (<\/span>This is not an apple<\/i>). His point was that a visual representation of an apple, no matter how lifelike it might be, is not the thing it\u2019s supposed to represent; we never experience the world in itself, as Kant would\u2019ve put it. Visual art, like painting and photography, serves as a living link between the unique experience of the artist, on the one hand, and the viewer, on the other.<\/span><\/p>\n

Given the deluge of AI-generated media that\u2019s flooded the internet in recent years, this begs the question: What does it mean for humanity, our relationships with one another, and our ability to extract meaning from the world <\/span>when a growing portion of the images we see and interact with are generated not by other living, feeling human beings, but by unconscious algorithms trained not to help us navigate the complexities of our lives but to hack and hold our attention?<\/span><\/p>\n

\n<\/div>\n

This is the central question that the artist Trevor Paglen set out to grapple with in his latest book, <\/span>How to See Like a Machine: Images After AI<\/span><\/i>.<\/span><\/p>\n

A geographer by training, Paglen has been deeply influenced by cybernetics, ancient mysteries, punk rock, classical music composition, investigative journalism, and a variety of other seemingly disparate fields that give his corpus of work a kaleidoscopic quality. If there\u2019s a simple way to describe his work, it might be to say that he\u2019s on a mission to shed light on the shadowy forces that shape our behavior and worldview below the threshold of our conscious awareness. He\u2019sphotographed mysterious celestial objects of unknown origin, \u201csecret satellites,\u201d undersea fiber-optic cables, spy planes, and military drones. In 2014, he worked as a cinematographer on Laura Poitras\u2019s Academy Award\u2013winning documentary about Edward Snowden, Citizenfour<\/em>, and was\u00a0awarded a MacArthur \u201cgenius grant\u201d in 2017.<\/p>\n

\n<\/div>\n

In a series of essays written over the course of the last decade, How to See Like a Machine<\/em> makes the case that the rise of modern AI <\/span>has ushered in an age in which the intersubjective nature of imagery is being replaced by something fundamentally new, something deeply alien, the psychological and political implications of which are yet to be realized. AI-generated images are not the unique product of a human mind but a reflection of training data that, in many cases, is deeply infected with the ugliest of human biases. <\/span><\/p>\n

At the same time, all of our engagement with AI-generated content\u2014be it a conversation with a chatbot about our mental health or clicking on an AI-generated ad\u2014provides the underlying algorithms with valuable information about our unique preferences, behaviors, and overall psychological profile. We never just look at AI, Paglen argues: it\u2019s always looking back at us.<\/span><\/p>\n

\n<\/div>\n

AI-powered mind control<\/b><\/h2>\n

Until now, anyone looking at an ochre handprint on a cave wall, a painting of an apple, or a photograph of bombed-out buildings could know with certainty that another human being had created the image. That is no longer the case.<\/p>\n

A profusion of cheaply made AI-generated text, images, audio, and video across the internet is washing us away into a kind of epistemic purgatory, Paglen argues in his new book, where our once relatively stable tethers to a shared reality are being replaced by individual bubbles of algorithmically governed social media feeds.\u00a0<\/span><\/p>\n

Even more concerning for Paglen is what he regards as the subtle forces behind these algorithms: they are not objective\u2014as much as big tech companies might claim otherwise\u2014but are rather driven by the logic of commodification and surveillance. Every moment of our lives, even the most private and intimate, becomes an opportunity for the harvesting of personal data. \u201cSmart\u201d devices track our sleep rhythms and exercise habits, apps track our online shopping habits and sexual proclivities, and chatbots learn about our unique emotional triggers and anxieties.\u00a0<\/span><\/p>\n

\n<\/div>\n

In such an algorithmically mediated digital environment, Paglen argues, the means of exerting subtle forms of psychological manipulation, persuasion, and conformism that were once the exclusive domain of well-funded government programs\u2014such as the infamous Cold War-era MK-Ultra\u2014have now become effectively available to just about anyone; mind control has been democratized, thanks to AI. \u201cIf the postwar media landscape was characterized by spectacle, and the late twentieth and early twenty-first century by an age of surveillance, then we are entering a new phase,\u201d he writes in the book. \u201cOne marked by affective computing, machine-learning-enabled optimization, neuroscience, and cognitive psychology\u2026\u201d<\/span><\/p>\n

The \u201cSociety of the Psyop,\u201d he calls it.<\/span><\/p>\n

Psyops, magic, and AI psychosis<\/b><\/h2>\n

Paglen is something of an expert on psyops: Much of his work has focused on photographing secretive government programs aimed at manufacturing delusion to preserve state secrets. <\/span><\/p>\n

Read more Here\u2019s a Clue About SpaceX\u2019s Actual Revenue-Generating Plans<\/a><\/p>\n

\n<\/div>\n

In the book, for example, he tells the story of Richard Doty, a former Air Force intelligence operative who, while stationed at Kirtland Air Force Base in New Mexico in the 1970s and 80s, was responsible for planting false flag information about UFOs and extraterrestrials in the minds of snooping journalists and others whose work threatened to expose military secrets.<\/span><\/p>\n

Doty\u2019s genius, Paglen argues, stemmed from his ability to reify his targets\u2019 preexisting beliefs about aliens and UFOs, rather than trying to plant completely new beliefs. A rogue photographer who believed the lights he was seeing above Kirtland AFB belonged not to a new military spy plane but to an alien spaceship, for example, could be easily manipulated, via a few doctored documents, into becoming unshakably convinced that what he was seeing was, in fact, not of this Earth (thereby preserving the secrecy of the spy plane).<\/span><\/p>\n

Stage magicians exploit a similar principle, according to Paglen. By taking advantage of the fact that our perceptual systems have been trained over the course of a lifetime to expect objects to adhere to the laws of physics, magicians can inject subtle illusions that subvert our expectations and make us believe what we know, intuitively, to be impossible.<\/span><\/p>\n

\n<\/div>\n

To anyone who\u2019s been paying attention to the phenomenon widely referred to as \u201cAI psychosis,\u201d all of this might seem familiar. In recent media coverage, the informal phrase \u2018AI psychosis\u2019 has been used to describe cases in which chatbots recursively reflect users\u2019 preexisting worldviews back to them, until that worldview\u2014no matter how delusional it may seem to the rest of us\u2014starts to become indistinguishable from reality itself. And that\u2019s exactly Paglen\u2019s point: the psychological buttons which the psyoperatives like Doty and stage magicians know how to exploit are now being pressed every day, and at a much more personalized level, by the legions of algorithms that are being woven into the fabric of our day-to-day lives.\u00a0<\/span><\/p>\n

AI chatbots like ChatGPT are \u201cspeaking to you or creating text for you in a way that is akin to the way another human would do,\u201d Paglen told Gizmodo. \u201cThere\u2019s a kind of magic to that.\u201d He also points out that even the tech companies building these tools do not fully understand how they arrive at their outputs, further lending it an air of supernatural authority. <\/span><\/p>\n

But there\u2019s a critical difference between the psyops of yesteryear and the present. Whereas conventional psyops were ostensibly executed by human beings in pursuit of some kind of human interest, the AI systems now reshaping our perceptions are driven by the much murkier logic of \u201cengagement.\u201d The algorithms curating our social media feeds and determining which ads we see online are designed to hold our attention for as long as possible. For Paglen, this points to what he considers to be a profound shift in our relationship with media:\u00a0<\/span><\/p>\n

\n<\/div>\n

\u201cThe images that you see are evolving in response to how you\u2019re looking at them,\u201d he told me. \u201cYou\u2019re looking at them, [and] they\u2019re looking at you.\u201d<\/span><\/p>\n

Privacy is resistance<\/b><\/h2>\n

For many people, AI is becoming less and less optional. Tech companies like Microsoft, Google, and Apple are embedding the technology into the services and devices that we rely on every day, and it\u2019s increasingly rare that one peeks into social media and doesn\u2019t see some kind of AI-generated media. It\u2019s all happening so quickly that a semiconscious feeling of cultural whiplash is completely understandable. Much of the content we see online today has been selected and served by algorithms that have been built with a superhuman ability to capture and hold your attention. Every click, like, and view hones that ability a little bit more.\u00a0<\/span><\/p>\n

\n<\/div>\n

Paglen raises more questions than answers about what this all means for the future of humanity, and I think that\u2019s the point. Like Magritte\u2019s apple (or non-apple), <\/span>How to See Like a Machine<\/span><\/i> celebrates the ambiguous nature of human perception\u2014\u201cthe slippages between representation and reality,\u201d as Paglen puts it in the book\u2014by contrasting it with the industrialized and profit-driven mechanics underlying machine vision.\u00a0<\/span><\/p>\n

As the book\u2019s title suggests, Paglen argues that to remain the masters of our fate, we must all learn how algorithms represent reality. He also says that in an age when tech companies are trying to extract data from us even when we\u2019re asleep, we must stop thinking about privacy as something taken for granted and instead turn it into a deliberate practice, much as you <\/span>might make an effort to meditate or go to the gym daily: \u201c<\/span>one<\/span> must create deliberate inefficiencies and spheres of life removed from market and political predations,\u201d he writes.<\/span><\/p>\n

\n<\/div>\n

The alternative is a future in which virtually every moment of our lives is monitored by algorithms and transformed into an opportunity for data-extraction: \u201cthe securitization and commercialization of literally everything,\u201d Paglen told me. \u201cYour sleep, your driving, your television-watching\u2026 anything you can conceivably think of as being turned into a commodity. And I think that comes at the expense of life, honestly.\u201d<\/span><\/p>\n

Read more Big AI Had a Point When It Said It Needed to Be Told What Is Not Okay<\/a><\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

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